But most of all, I apologize for apologizing.”īono Tells Apple Music About His Unwavering Devotion to Making Music with U2. I apologize for repeating over and over, that rock and roll is not dead, it's just older and grumpier, and occasionally makes fireworks out of its mood changes. I apologize for wanting to make an unreasonable guitar record that rattles my cage and others. I apologize for stretching our band to its elastic limit.
I apologize for not being shy or retiring and for loudly giving thanks for where I go to work. I apologize for being a singer who will get in your face whatever direction you're looking. “I apologize for having the unreasonableness of youth as I enter my 60s. We've got a singer that has an annoying gene, but we need a bit of bottle in our rock and roll singers. The band has staked out extraordinary musical landscape. The only person who won't say that is him. And that's, I think, why you went for new lyrics in a lot of songs is because there was a kind of opportunity there, there was a platform to deliver lyrics that weren’t there before.Įdge is the most influential guitar player in 35 years. The same is true for a lot of them, where you're hearing it in a different way. So what's fun is to hear things like City of Blinding Lights, which sounds like a completely different song lyric to me, because Bono's interpreting it in a way that he couldn't possibly have done with the rock version. And to serve the song, but to serve the voice, which meant the voice was the centerpiece of every single arrangement. was the overarching idea for this collection. The Edge Tells Apple Music About The Overarching Idea For ’Songs of Surrender’. And in with this collection, we were sort of trying to listen to them again and trying to think, well, first of all, will they hold up? Will they stand up to being broken down outside of the firepower of a rock and roll band like U2? Because the songs, if they're any good, they never end. They do boss you about the songs, but, after a while, if you're successful, and as a songwriter, songs become big.
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They tell you what to do, how to dress in, and to turn up for work, in the video, whatever. Will they stand up? People say your songs are like your children. The grudge match is, we were trying to prove, or else maybe obfuscate, was if our songs could stand up with the best songs, our favorite songs. It was really amazing fun.īono: It's both a vanity project and a grudge match. So we could really just enjoy the process. We could just do it and see how it worked. But also the joy of it was there was no necessity to put it out if we didn't like it. This was a golden opportunity to see where it would take us. In our show, we'd take a song Every Breaking Wave, and we'd bring it down to piano, or Staring at the Sun, bring it down to acoustic guitar and voice. And this idea, I'd been knocking around for a while, to try some more of our songs in a stripped down way that we had done over the years. Suddenly we had the space and time to just make music without there being any kind of pressure or any expectation. I think it was a lot of opportunism because of the lockdown. The Edge: Our songs are the boss, and they were through this whole project.
U2 Tell Apple Music Why The Band Decided To Strip Down Their Songs For the ‘Songs of Surrender’ Project… Plus, Bono spontaneously shares a pre-written apology letter detailing everything he’s sorry for. In the extensive interview, the pair discuss the impetus for stripping down their songs for the project, the longevity and legacy of the band, Bono’s unwavering devoting to the group and why he most identifies as a songwriter, activism and not taking themselves as seriously as others, commercialism and ambition, and bringing mischief to Las Vegas when they launch the MSG Sphere venue this fall. Apple Music’s Zane Lowe joins U2’s Bono and The Edge on a road trip across the desert and a journey through 'Songs Of Surrender', their new collection of reworked classics out tomorrow.
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